Writing Off the Walls 2022
Creativity in the age of CoVID
Brought to you by Studio Theater in Exile & Hudson Valley MOCA
Want and Need - Susan Jennifer Polese
Based on Daniel Pitin's Painting
The Old Swimming Baths, 2009
I’m up for breath
But I want to stay down
No one is deciding, it’s up for grabs
Want and Need
Want and Need
Glittering surface, artificial and delicious
No need to lick my lips
No road to stick to, no instruction booklet
Want and Need
Want and Need
But over there, that’s me and I’m swimming!
Down in coolest, cool of the Ocean
Water parting, legs kicking
Oxygen filled lungs, not bursting
Silence, not deafening
I come up and breathe
But I want to stay down
The water top attracts me
Against my better judgement
Want and Need
Want and Need
Signs pass but they’re not meant for me
Spelling out the obvious
Twinkling above the turquois
Pulling me up, where I will not stay
Want and Need
Want and Need
But still, no matter what, I keep an eye on me!
Plunging way down, down
Among the florescent fish
Time is no longer
Eyelids translucent
Still, the sky entices me through the sea
Wanting and needing
Wanting and needing
Never Free
Artifacts - Catherine Ventura
Based on Daniel Pitin's Painting
The Old Swimming Baths, 2009
So many histories are montage: memory shards
And slivered snapshots, rained down, and reconfigured.
We re-set missing tiles and paint-daubed tesserae slowly
With what’s lingered and the schemas we’ve recovered,
Recreating what we can, and what’s bearable to reimagine.
Like that dawn in August when the green streets groaned and shook
As the tanks rolled into Prague while Spring’s still-dreamers slept,
The bullets stinging the Museum when the mercenaries mistook
Its sandstone domes for a Palace of Justice or Trade.
As beds and offices were overturned by unnerved women
Searching for what they’d need for safety or for flight.
As water swelled in the white-tiled summer pools
When the tanks thundered past, wave after wave,
Until what was falling had fallen and for a moment all was still.
The earth had rattled once before that same twentieth day,
As cindery ash plumed high to join fast rolling quakes.
Men ceased building bonfires for the Vulcanalia,
Stunned by the distant brittle cracks and thunder roar.
As women felt the earth roil, pilasters fall,
And, wincing from distant wolf cry and owl screech,
Rose from their baths - the waters rocking, sloshing now -
Bundled their jewels and amber amulets in brass-bound chests,
Bidding servants to ready them for the flight north.
As raining bombs of ember burned and pumice-hail
Shattered roofs and pierced walls,
Opening new voids for the poisonous wind sear,
Which shot in, wave after charring wave,
Until what was falling had fallen and for a millennium all was still.
Now, where centuries-silent cinder has been brushed aside
And half-felled homes and hollowed walls laid bare again
In Forum baths where magistrates and wealthy merchants met,
We honor that crucible and assemble its artifacts gladly,
Its scorched chairs of wood and ivory, blackened scrolls,
Faint frescoed faces and shattered acanthus leaves,
Defining their beauty by how we choose to re-assemble them.
The drear of our own catastrophes’ rubble draws us less,
Machine-tooled bath-house tiles stained with rust-trailed rivulets
Die a less-mourned death than the sea-monstered mosaics
That embellished the houses of ancient patricians who perished.
Our own sulfurous disasters are still fresh-lain, chaotic,
Our eyes still struggling to distance, re-assemble, and redefine,
Until our footing’s sure enough to water what springs from quaked soil.
House Ghost - Mareen Kelly
Based on Daniel Pitin's Painting
The Old Swimming Baths, 2009
House Ghost
It’s the deep thirst that makes me consider
The backyard swimming pool.
Then again, a drink can finish your strength.
Better a journey be scorching and companionless,
That’s what I thought,
Because our bodies are pressed seemingly thin.
We can only hold a mirror and look at older versions—
The now escaped inside a nanosecond from my retina to that light.
I settle for watching the floating device.
I remember, I lived on the crowded side
Of the glass, then passed over it like the arch of a note.
After all, we are arm and arm with dream,
Wrapped around it, morning can no longer interfere.
Feel free to navigate through the tabs to hear the recordings/poems of Want and Need, Artifacts, and House Ghost. All of these recordings/poems are based on Daniel Pitin's painting, The Old Swimming Baths, 2009.

Daniel Pitin
Czech, born 1977
The Old Swimming Baths, 2009
Oil and acrylic on canvas
65 x 90.6 inches
Daniel Pitin is one of the generation of artists to have emerged since the fall of communism in Central and Eastern Europe. He received his education from the Academy of Fine Arts, Prague, Czech Republic and continues to live and work in Prague.
Pitin produces large, visually complex paintings, dense with imagery and subtle references to films and canonical works of art. Often embedded are bits of newspaper, lace, paper towels and collaged segments od blueprints of buildings designed by his grandfather in Prague and left rolled up in his family attic. His dark color palette, solitary, ethereal figures, and surreal structures, which seem to both reveal and hide their occupants, imbue his works with moodiness and mystery. He describes his paintings as fragments of stories or dreams, explaining that through them he explores the “personal and public memory of the place where I live.” He uses the family archive and as well as internet sources, historic film material (specifically with references to the work of Alfred Hitchcock), film noir and Czech new wave films from the 1960s. His interest shifts between humanity and its creation, between structures and their content, filling his oeuvre with moodiness and a breath of unsaid contents.
Daniel Pitin was artist-in-residence at Hudson Valley MOCA Fall 2010, producing a solo exhibition ‘Garrison Landing’ that gained wide press acclaim.
Recent exhibitions include A Race of Peeping Toms, Nicodim Gallery, Los Angeles (2020, solo); A Paper Tower, Galerie Rudolfinum, Prague (2019, solo); Broken Windows, House of Art, Česk Budejovice (2018, solo); Grotto, Charim Gallery, Vienna (2018, solo); Crystal Gardens, GRIMM, Amsterdam (2017, solo). Pit n is in the collection of Los Angeles County Museum of Art and Knoxville Museum of Art. Solo institutional exhibitions include Cover Story, Boulder Museum of Contemporary Art (2012); Garrison Landing Hudson Valley MoCA (2010)`, Peekskill, NY and the Knoxville Museum of Art, Knoxville, TN (2011).